Shirley Crowther Contemporary Art - Artist Showcase

Peter Archer				Peter makes fine wooden bowls and vessels. Using sycamore, the pieces are turned on a lathe, coloured and hand carved - a delicate and precise process. Rich, subtle staining, intricate carving and elegant lines make these original and beautiful pieces.

Louise Balaam				Atmospheric abstract landscapes, in oils on panel or canvas, inspired by sites of particular significance of sense of place.

Day Bowman				Day Bowman creates paintings of great energy and commitment, being deeply immersed in the actual process of painting and absorbed by the subject matter, which becomes a metaphor for life itself.

Barbara Burns				Barbara's work evolves from her experience of landscape shapes and pattern, producing richly textural paintings in oil on canvas.

Patricia Crowther				Inspired by sea and coastline, Patricia is concerned with the abstract elements of painting - shape, form and space, texture, surface and colour - which she develops using a subdued palette in oils, oil pastel and precious metals.

Carys Davies				Carys makes highly unusual ceramic pieces, thrown on the wheel in porcelain. They are smooth, with pearlescent glazes on the inside, but organic outside - rough with volcanic glazes, sometimes sitting on flotsam as though washed up on the tide.

Anne Davies				Although often alluding to harbour and landscape scenes, there is a strong abstract element to Anne's work, with fine layers of acrylic colour revealing an archaeology of images below the painted surface.

Henrietta Dubrey				Henrietta's abstract paintings in oils on canvas are essentially autobiographical, recording situations, emotions and encounters - stories which evolve through the paint and process of painting.

Carol Farrow				Carol's wallhanging 'paperworks' are created with hand made papers, painted and waxed. The medium creates an almost sculptural quality, tactile and textural, whilst her colour flows across the pieces, or series of pieces, sometimes intense, merging and diffusing into softer tones and hues.

Megan Fishpool				Megan specialises in printmaking, concentrating on monotypes and etchings, creating beautiful subtle images with fine texture and colour.

Jo Ganter				Jo is fascinated by space, light and architectural form, reflected by abstract imagery in her etchings, many of which are printed on a very large scale.

Carolyn Genders				Inspired by the natural world, Carolyn seeks to create ceramic pieces that are an integration of form and surface, using texture or pattern to emphasise nuance of shape and create mood and atmosphere.

Helen Glassford				Helen Glassford’s paintings are in essence abstractions of the Scottish landscape in which she finds herself immersed. She reacts freely to the immensity of nature before her, attempting both to capture the spirit of place, and humanity’s transient experience of it.

Rebecca Gouldson				Rebecca creates one-off etched wall pieces from a variety of metals, including copper, gilding metal and silver, with a rich palette of textures decorating the surface.

Sam Hall				In Sam's ceramics the simplicity of form and minimal use of glaze/oxides used in conjunction with scored line, random marks and a sombre palette, create a tension where drawing and form cohabit together.

Elizabeth Hannaford				Elizabeth Hannaford's paintings are highly personal, reflecting her direct response to the subject matter: organic and alive, her work captures rythm and movement with atmospheric colour and inventive use of materials.

Frances Hatch				Frances work involves engaging with particular environments - both emotionally and physically - using mixed media to capture the results. So the painting is expressive and textural, the materials often found in the landscape.

Ursula Kellett				By juxtaposing natural elements (earth and sand from all over the world) with the synthetic (modern paints and varnishes) Ursula produces unpredictable interacting patterns and colour, works which represent both past and present.

Teresa Lawton				Teresa's work is inspired by her surroundings near the Dorset coast, which provides a ground from which to explore inner thoughts, her time and presence in places whe walks. This results in richly painted work, layered, scored and drawn into, subtly revealing hidden imagery.

Debbie Loane				Based in Yorkshire, Debbie's painting acknowledges the romantic splendour of the Northern landscape, whilst at the same time is conscious of being rooted in the daily practicalities of rural life.

Gilly McCadden				Fresh and minimal, Gilly's small watercolours have a harmonious and pure presence.

Julia McNeal				Julia works in paperclay seeing the objects she makes as finds, imperfect evidence of our times, in the way we might look at early writing, preserved because it is stamped in clay.

Fiona Millais				Fiona's delicate paintings are inspired by landscape and still life but are rarely representational, rather they evolve from memories, drawings and notes; descriptive and evocative.

Frances Murray				Frances uses low technology itaglio printmaking, creating both single works and grid combinations, suggesting metaphorical landscapes and giving rise to meditations in line, texture and colour.

Gill Parry				Gill is inspired by natural organic shapes with their symmetry and imperfections. She uses a heavily grogged stoneware clay to produce a textured surface exploiting the often unexpected interactions between clay, fire and glazes.

Giles Penny				An accomplished sculptor whose distinctive ideas and style are recognisable in works of all scale whether large public pieces cast in bronze or his small and original cut-outs.

Tony Scrivener				Tony's landscapes and still lives are easily recognisable by their distinctive use of line and strong colour palette. Working either in the studio or from field sketchbooks, his bold compositions explore form, colour and texture.

Barry Stedman				Strong, fluid decoration typify Barry's pots. The qualities of texture, energy of applied glazes and variety of colour from lightly applied subtle layers to vibrant splashes give his work a joyful, vibrant feel. Thrown on the wheel, his pots are manipulated into irregular, but simple shapes, and low fired to enhance the colour.

Jasia Szerszynska				Jasia's work concentrates on experimental printmaking and drawing, using a variety of techniques including collagraphy, intaglio, carborundum, lithography, monoprints, screen print and drypoint.

Patricia Volk				Patricia is well known for her sculptures of heads, and this series of work represents a new and exciting departure. Created out of a fascination with the relationships of line and form, these unusual pieces reflect fine balance, tension and partnership both in form and meaning.

Andy Waite				Andy is a painter known for his fascination with colour, pattern and form. Much of his work is inspired by the South Downs close to his home in Sussex and his paintings ask the viewer to look afresh at this well-loved landscape.

Amanda Wallwork				Amanda's work is concerned with place, its history, its location. Painting onto gesso on board, her pieces have a three dimensional quality, a patina of age and time, and graphic storyline.

Camilla Ward				Decorative and tactile ceramic vessels and forms reflecting Camilla's interest in treating the surface of the form as a 3D canvas.

Robin Welch				Welch has developed a considerable reputation for his freely constructed individual pots over many decades. He has a broad approach fusing art and form, the full range of his work including large vessels with related paintings, fine drawings, and distinctive ceramic pieces which explore colour, surface texture, form, detail of edge, and line.

Sandra Whitmore				The Sussex countryside and coast are the main inspiration for Sandra's abstracted landscapes paintings, using a variety of media,gentle colour, descriptive line and texture to create energy and atmosphere.

Kate Wickham				Kate makes hand built painterly ceramic vessel forms exploring a number of ideas and themes – landscapes, domestic interiors, seascapes etc. – through abstraction and symbolism, and through the use of colour, texture and mark making.

Rachel Wood				Tactile, organic stoneware pieces reflecting Rachel's interest in exploring and pushing boundaries in her medium. She endows each piece with individual characterusing shape and colour with fascinating, subtle results.

Rosalind Wyatt				Words are Rosalind's passion and her technique of using collage with its countless possibilities for writing and sewing line, mark, symbol and letter, creates a multi-layered and atmospheric portrayal of her chosen text.

Yuk Kan Yeung				Many differing cultural influences go into Yuk Kan's delicate and fascinating porcelain pieces, combined with her love of drawing and use of the medium and its decoration to reflect both emotions and a sense of place.